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technical question about internet radio in SL
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ticious



Joined: 03 Sep 2007
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Location: Chicago

PostPosted: Wed Jul 30, 2008 10:25 pm    Post subject: Reply with quote

But Kim, isn't the problem with that analogy the fact that, while the stream is plugged into my parcel, and my guests are all listening to it, there may be others listening to the stream, if it's not my stream (in that I'm not the person with admin powers over the stream) others not even SL, over whom I have no control (and may not even know about so can't even provide a count on) unless I have control access to and control of the stream?

I know, this would all have to play out in courts, we don't have answers.  But I don't see how a parcel owner can be the responsibility party if they don't have control of the stream.  Or is someone else, as in the case of the radio station actually, responsible to pay fees to cover anyone else listening to the stream?

Case in point, Mankind did a show last weekend that was simulcasted to several venues in SL (we'll leave out the fact that he was streaming from Amsterdam, as an unnecessary complication). Would each venue be liable to pay fees individually?  And the url was published (at least I think I heard that, and it's often the case in these kinds of events) so there were likely listeners who were not in SL.  How are they covered?  Only the person with Admin access to the stream can actually say how many people were listening.
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RayW



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PostPosted: Thu Jul 31, 2008 11:45 am    Post subject: Reply with quote

Ticious's point is the true heart of this matter, and why LL is NOT responsible.

The stream may LOOK like it's coming from SL to the person viewing it on an SL client.  But, in truth, it is originating from the stream source (the performer/DJ's computer) and being relayed from another source (the stream relay server).  After this point, the performance can be picked-up by ANYONE IN THE WORLD!

The whole thing is complicated by the fact that we try to create the illusion of RL in SL.  But, are things really happening there?

With a Pub analogy (sorry if someone already said this) it could be like playing the radio or TV (Tele) there.  But, I doubt it's LL playing the radio.  It would most likely be the venue or land owner ... which could be Governor Linden, but most likely won't be.

Now, some clever lawyer could muddle the whole thing up. But, being just a logical person on this and not a lawyer, I would hope a sensible solution would evolve soon!

Playing of prerecording material is a whole different animal than Live performances.  And, the RIAA may have more to say on this.  But, for playing material with the agreement of the copyright owner, everything should be cool.  I gave up my rights for collecting a fee on several of my songs for RL college radio ... just to get heard by people.
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Fyrm Fouroux



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PostPosted: Thu Jul 31, 2008 12:35 pm    Post subject: Reply with quote

RayW wrote:
Playing of prerecording material is a whole different animal than Live performances.  And, the RIAA may have more to say on this.  But, for playing material with the agreement of the copyright owner, everything should be cool.  I gave up my rights for collecting a fee on several of my songs for RL college radio ... just to get heard by people.

Just for the record, all my songs are registered with the London copyright copyright agency, CATCO, all have unique ISRC numbers assigned to them, all my mp3s have unique barcodes in their headers, and I have given up none of my rights on any of this material.
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Kim Seifert



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PostPosted: Thu Jul 31, 2008 3:14 pm    Post subject: Reply with quote

Tish.  In rl, the radio station has responsibilities but so does the club owner that turns on a radio and tunes it in to that station.  Thousands of clubs can tune into the same station and each one is individually liable for playing a sound recording in public at their place.  Those clubs only have to be licensed to play covered sound recordings.  I don't think this applies to sl venue owners that have no commercial advantage but that is just my opinion.

Live performances are not playing covered sound recordings that are owned by the record companies that would have a vested interest.  Live performances make derivative works and therefore, even if you could argue that those performances are recorded for the time that it takes to put it on a server temporarily and rebroadcast for all to hear, the rights to the new sound recordings made are owned by the performing artists and original songwriters. A license to perform covers in this regard is the license to perform musical works, not play sound recordings.  It is my belief that the stream owners are liable for that.  

So with respect to live music in SL, it is my belief that stream owners are liable to pay fees for performance of musical works and the live performers are then covered and so are the sl venue owners.  

With respect to streamed music that is prerecorded and those sound recordings are owned by record companies, it is my belief that the stream owners are liable to pay for a license to play sound recordings and sl venue owners may or may not be liable to pay for licenses as well based on the structure of their business.  

I speculate (and I emphasize speculate because this is not something that I have researched in depth nor discussed in detail with credible sources), that a sl landowner would be liable if he used a radio at his place of business where he is making a good amount of money.  On the other hand, if a sl landowner is playing music from a radio and has not paid the radio station or charged a fee to listen to that music and has no commercial advantage there, then I think he is exempt.  But again, this part of my analysis is pure speculation. - Edited to clarify that this paragraph pertains ONLY to sound recordings owned by record companies.
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Last edited by Kim Seifert on Thu Jul 31, 2008 3:25 pm; edited 1 time in total
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the Professor



Joined: 07 Jan 2008
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Location: Peoria, Illinois, USA

PostPosted: Thu Jul 31, 2008 3:21 pm    Post subject: a few quick points Reply with quote

I think that some of this misses the point a bit.

1) RL analogies may or may not apply at all in virtual worlds. We just do not know. RL analogies are often how one tries to figure out what laws and practices apply . . . and in the end, everything RL might just flop over to virtual worlds. But we don't know that.
2) US law may apply to SL (given the location of it's servers). But there is a HUGE amount of internet case law that shows that venue and jurisdiction are NOT set, taken for granted, or fixed. Venue and jurisdiction are contested in these spaces, so, again, assuming that US law just applies, by analogy, isn't "sure," (though it IS what we often work with here).
3) I have NEVER EVER EVER said or implied that Linden IS RESPONSIBLE. The degrees of their legal responsibilities for stuff (for that matter, the responsibilities that any provider of virtual worlds has) are all highly contested issues. There just isn't enough legislation or case history, either, to be sure how terms of service, click-through contracts, codes of conduct, etc., are going to hold up in US (or any other) courts over the next decade or two. Right now, virtually every user agrees to everything cause they don't read much of it and the provider of the software is totally in charge as contract law often trumps IP law. But cracks are starting to appear in that facade, some even at the case level.

With regard to paying the license freight for (especially) live music . . . I've suggested that it is in Linden Lab's best interest to see that cover artists are able to continue providing entertainment in SL and that the venue owners who host them are able to continue their businesses. I think that if standard fees were assessed to those venue owners, most of them would either go out of business or not hire people who play covers. The result of either of those outcomes would, in my view, deal a crippling blow to the range of available and enjoyable social activities in SL . . . I think it's a risk that LL should not take. I am NOT as clear (in my head, for me) about what LL should do concerning internet radio stations that get played inworld. I sort of suspect that they are going to have to operate by whatever rules and practices the FCC has set up for internet radio, modified (0r not) by accommodations for virtual world considerations. I DO NOT have a proposal for internet radio. My comments and proposal only apply to what we know and participate in as "live music performances."

btw: more Senate hearing s on internet radio today: Senate panel to debate radio rules, royalty rates
Associated Press 07.29.08, 6:16 AM ET
http://www.forbes.com/feeds/ap/2008/07/29/ap5263613.html
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Kim Seifert



Joined: 09 Sep 2007
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Location: Ohio

PostPosted: Thu Jul 31, 2008 4:34 pm    Post subject: Re: a few quick points Reply with quote

the Professor wrote:
RL analogies are often how one tries to figure out what laws and practices apply


To apply law, you have to define roles.  The law doesn't specifically say mall owner but it does define its role.  I used the analogy to simply show that and I absolutely believe it applies and helps to see things clearer.

the Professor wrote:
2) US law may apply to SL (given the location of it's servers). But there is a HUGE amount of internet case law that shows that venue and jurisdiction are NOT set, taken for granted, or fixed. Venue and jurisdiction are contested in these spaces, so, again, assuming that US law just applies, by analogy, isn't "sure," (though it IS what we often work with here).


You are absolutely right in the sense that US law does not apply to someone in another country under a different jurisdiction.  Internet jurisdiction HAS been litigated quite a bit though and most often courts use the interactive vs. passive use test to apply jurisdiction.  But of course I am sure you are aware of this.  Anything I have said and the resources I have used apply only to those operating in the United States.

the Professor wrote:
3) I have NEVER EVER EVER said or implied that Linden IS RESPONSIBLE.
 

My bad.  I read the following and assumed it implied that Linden could be  responsible.  That's what I get for not reading very carefully.
 
the Professor wrote:
However, I think that their provision of the player, within the software in a way that most users would have great difficulty over-riding/opting out of it, would make it very difficult for them to argue pure ISP status in this matter.

Even though the music isn't playing IN Second Life, technically, speaking, the player through which the music is playing is only open on the user's machine when SL is open, is the only player playing the music, is an LL product and plays in concordance with Second Life. Though not using the SL servers at the moment, arguing that they have no role appears to me to be silly and I'd be willing to bet it will not hold up if challenged in court. They are NOT the station, nor are they the music provider. But neither was  Grokster.
 

My thinking is that they would rely on this section of the Code:

"§ 111. Limitations on exclusive rights: Secondary transmissions... The secondary transmission of a performance or display of a work embodied in a primary transmission is not an infringement of copyright if ... the secondary transmission is made by any carrier who has no direct or indirect control over the content or selection of the primary transmission or over the particular recipients of the secondary transmission, and whose activities with respect to the secondary transmission consist solely of providing wires, cables, or other communications channels for the use of others"

the Professor wrote:
btw: more Senate hearing s on internet radio today: Senate panel to debate radio rules, royalty rates...


So many "what if this happens," etc.  I think I will just focus on what my responsibility is today and how can I keep from violating anyone else's rights and just go make music.   Peace.
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DjaiSkjellerup



Joined: 03 Oct 2007
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PostPosted: Fri Aug 01, 2008 9:39 am    Post subject: Reply with quote

Fyrm Fouroux wrote:
RayW wrote:
Playing of prerecording material is a whole different animal than Live performances.  And, the RIAA may have more to say on this.  But, for playing material with the agreement of the copyright owner, everything should be cool.  I gave up my rights for collecting a fee on several of my songs for RL college radio ... just to get heard by people.

Just for the record, all my songs are registered with the London copyright copyright agency, CATCO, all have unique ISRC numbers assigned to them, all my mp3s have unique barcodes in their headers, and I have given up none of my rights on any of this material.



I have always copyrighted my material using the send it to yourself as registered post and dont open it method but I am interested in what you do. With CATCO do they issue a Barcode and a IRSC (dont really know what these are for)?

I am asking here because I think your answer might be interesting at all SL musicians who do originals.
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Soundcircel Flanagan



Joined: 05 Sep 2007
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PostPosted: Fri Aug 01, 2008 9:59 am    Post subject: Reply with quote

/me steps out of this dicussion cause his head hurts and he has a holiday

To complicated for me.
If Gary Moore, John Miles, Nickelback or Marillion wants to sue me,
be my guest....

I dont have money anyway.

Laughing
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Cher Harrington



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PostPosted: Fri Aug 01, 2008 11:29 am    Post subject: Reply with quote

Quote:
So with respect to live music in SL, it is my belief that stream owners are liable to pay fees for performance of musical works and the live performers are then covered and so are the sl venue owners.
 

That is my understanding too, the stream owner is liable.
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ticious



Joined: 03 Sep 2007
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PostPosted: Fri Aug 01, 2008 12:32 pm    Post subject: Reply with quote

Cher Harrington wrote:
Quote:
So with respect to live music in SL, it is my belief that stream owners are liable to pay fees for performance of musical works and the live performers are then covered and so are the sl venue owners.
 

That is my understanding too, the stream owner is liable.


Or in the case of a rented stream, the renter, not the provider.
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